Monday, August 29, 2011

Sonnet 9: On Homer's Iliad


Oh Poet fair, whom muses joy to bless,

What wanteth thou of them that read thy tale?

What hero imitate, what creed confess?

What life is best for them of mortal pale?

Achilles’ woeful wrath and might, is’t him?

Ulysses whose wise counsel all admired?

Or Ajax, who with bold smile faced death’s dim?

Not Paris who with shameful lust was fired!

Not them, oh Poet great, not them to be.

But Hector true, who wife and son did love

Much more than warlike glory all men see,

For country fought like the dread gods above.

Great virtue with his valor he combined;

His soul’s own equal what man now can find?

(Andromache Mourning Hector by Jacques-Louis David)

Wednesday, August 24, 2011

Repo Men, Property Rights, and Human Life

Last night I watched the film, Repo Men, with a new friend from Patrick Henry College. It is an incredibly dark film that will provoke deep and disquieting questions and conflicts. The cast, particularly Jude Law and Forest Whitaker, contribute to the depth and dark beauty of this film through their raw, resonant, and occasionally electrifying performance. While perhaps best described as a thriller, the morbid tone and excessive blood, gore, and violence nearly make it a horror film. Though this film contains several objectionable elements, the depth and importance of the questions it creates make it a film I would definitely recommend.

The film centers around a moral dilemma, a moral dilemma not seen by Jude Law’s character, Remy, until about halfway through the film. Remy works for the Union – a company that produces bio-mechanical organs for transplant patients. These transplants cost an exorbitant amount of money and sales associates are expected to encourage the customers to purchase the organs on credit in order to maximize the company’s profits. Should the patient fail to make his payment on the organ, he is given a grace period of three months before a “repo man” stuns him, cuts him open, and repossesses the organ.

Remy begins the film with no moral qualms about his job as a repo man. He says, "My job is simple. Can't pay for your car, the bank takes it back. Can't pay for your house, the bank takes it back. Can't pay for your liver, well, that's where I come in." Remy literally jabs knives into barely anesthetized living people removing the bio-mechanical organs that keep them alive. It is assumed that these patients will die, if not from the "surgery" then because their credit rating will prevent them from receiving a new organ.

Thus the moral dilemma - does a company have the moral right to take back a product clearly belonging to them when the inexorable affect is the death of a former customer? Remy begins the film without a concern, an attitude I (and I hope the average viewer) was completely unable to understand. When circumstances change, Remy begins to see things from the other perspective; he then does everything in his power to prevent the Union from repossessing organs.
The protection of private property is one of the main purposes for the existence of government. Private property ownership is clearly established in Biblical morality; what happens, however, when this "last metaphysical right" comes into conflict with the Biblical command not to murder? If an individual steals another's property and incorporates it into his body in such a way that removal results in his death, to what extent does the property owner's right give him power over the thief's life? The Union is not a governmental power such as those given authority under Romans 13; it is merely a private company interested in protecting its property interests; does it have the right or authority to execute (savagely) those withholding its property? Can a fellow human qua human make a demand for the preservation of his life that transcends one's right to property? These questions, left unanswered by the film, are deeply troubling.


Perhaps the more important question, one not addressed but implied by the film, is the question of the inherent value of life. While every person, absent certain crimes, has a right to life given by God, modern technology has enabled us to preserve life well beyond the wildest dreams of individuals a mere hundred years ago. Does this increase in technological ability carry with it a duty to preserve life always and by any means possible? This is a discussion divorced completely from discussions of abortion or euthanasia - there is a difference between actively ending a life and not using ever resource at one's disposal to artificially preserve life. This question is engendered by the film - is it worthwhile to live a slave to the Union while living off an artificial organ that one cannot hope to finally pay off in order to attain a few more years of life? Does society, or companies like the Union, have some sort of duty to use such technological advances to benefit as many people as possible? I think the answer to both questions is a cautious and reluctant "no."

Luke 9:24 states, "For whosoever will save his life shall lose it: but whosoever will lose his life for my sake, the same shall save it." This verse argues that life is itself not more valuable than living well. In pursuing long (or maybe even merely longer) life in se, one runs the risk of losing any true sort of valuable existence in his life and the possibility of making it worth the living. Remy notes this: "At the end, a job is not just a job, it is who you are, and if you wanna [sic] change who you are, you have to change what you do...." Remy changes his focus, chooses to pursue living well (at least better than he was before) rather than merely living longer. Given the eternal nature of the soul's existence, this perspective on life seems to be the most logical. One's focus in life should be to align one's soul as closely as possible to God, glorifying him in the process and reaching one's fellow men. "We live in the shadowlands." The longest life is less than a molecule in an ocean when compared to eternity; one needs to live one's life in preparation for eternity.

Thursday, August 18, 2011

90(ish) Books - 30,000(ish) Pages

This summer I had a part time job writing for a neo-conservative PAC and I decided to work from my home in the beautiful and peaceful Upper Peninsula of Michigan. In between writing, working outside, visiting with family, and swimming in the Great Lakes I did some reading. A lot of what I read were works I had heard about at Patrick Henry College, but just had not had the time to read during the school year. So here are ninety-four books comprising 30,064 pages of reading. I had a blast.

Road to Serfdom - F.A. Hayek
The Problem of Pain - C.S. Lewis
Heir to the Empire - Timothy Zahn
Dark Force Rising - Timothy Zahn
The Last Command - Timothy Zahn
Mere Humanity - Donald Williams

The Force Unleashed - Sean Williams
Miracles - C.S. Lewis
Blackwater - Jeremy Scahill
The Everlasting Man - G. K. Chesterton
Lady Chatterley's Lover - D. H. Lawrence
Till We Have Faces - C.S. Lewis
Night Elie - Wiesel
The Invisible Man - H.G. Wells
De Profundis - Oscar Wilde
A Day in the Life of Ivan Denisovich - Alexander Solzhenizen
Spirits in Bondage - C.S. Lewis
I, Robot - Isaac Azimov
Carry On, Jeeves - P.G. Wodehouse
Thus Spake Zarathustra - Friedrich Nietzsche
The Culture of Cities - Lewis Mumford
Dune - Frank Herbert
A Student's Guide to Economics - Paul Heyne
Dune Messiah - Frank Herbert
Demian - Hermann Hesse
Jumper - Steven Gould

Children of Dune - Frank Herbert
Brave New World Revisited - Aldous Huxley
Brave New World - Aldous Huxley
La Vita Nuova - Dante
The Hapsburgs - Edward Crankshaw
The Freedom Philosophy - FEE
Economics in One Lesson - Henry Hazlitt
Towards a Free Society - Gary Wolfram
God Emperor of Dune - Frank Herbert
Animal Farm - George Orwell
Planet of the Apes - Pierre Boulle

Jeeves & the Tie That Binds - P.G. Wodehouse
The Poem of the Cid - Tr. Lesley Bird Simpson
Dawn - Elie Wiesel
Dead Poets Society - N. H. Kleinbaum
The World's Last Night - C.S. Lewis
A Midsummer's Night Dream - William Shakespeare
The Legends of Sigurd and Gudrun - J.R.R. Tolkien
East of Eden - John Steinbeck
Antigone - Sophocles
The Vintage Book of War Fiction - Ed. Sebastian Faulks
For Whom The Bell Tolls - Earnest Hemingway
Star Wars: Outbound Flight - Timothy Zahn
Catch-22 - Joseph Heller
Down and Out in Paris and London - George Orwell
Father Knows Less or: "Can I Cook My Sister" - Wendell Jamieson
Audrey Hepburn: An Elegant Spirit - Sean Hepburn Ferrer
Oskar Schindler - David M. Crowe
Harry Potter and the Philosopher's Stone - J. K. Rowling
Macbeth - William Shakespeare
Eragon - Christopher Paolini
The Most of P. G. Wodehouse - P. G. Wodehouse
Harry Potter and the Chamber of Secrets - J. K. Rowling
Me - Ricky Martin
Interpretations of Poetry and Religion - George Santayana
The Guilt of Nations - Elazar Barkan
The Courage To Be - Paul Tillich
Man and People Jose - Ortega y Gasset

On the Origin of Species - Charles Darwin
The Descent of Man - Charles Darwin
The Taming of the Shrew - William Shakespeare
A Woman In Charge - Carl Bernstein
The Complete Introductory Lectures on Psychoanalysis - Sigmund Freud
The Psychology of Jung - Jolan Jacobi
The Merchant of Venice - William Shakespeare

A Streetcar Named Desire - Tennessee Williams
The Roman Spring of Mrs. Stone - Tennessee Williams
People of the Century - Time/CBS News
The Hunt for Red October - Tom Clancy
The Fall - Albert Camus
The Stranger - Albert Camus
Collected Stories - Tennessee Williams
Redwall - Brian Jacques
Shadowlands - William Nicholson
The Glass Menagerie - Tennessee Williams
Stories - Ray Bradbury
In Defense of Global Capitalism - Johan Norberg
Star Wars: Death Star - Michael Reeves, Steve Perry

Point Counterpoint - Aldous Huxley
Harry Potter and the Goblet of Fire - J. K. Rowling
Essays In Existentialism - Jean-Paul Sartre
Timaeus - Plato
Consolatio Philosophiae - Boethius
Poetry, Language, Thought - Martin Heidegger
Harry Potter and the Order of the Phoenix - J. K. Rowling
The Ruling Class - Angelo M. Codevilla
Culture Counts - Roger Scuton
Situations - Jean-Paul Sartre


Favorite Book: The Culture of Cities by Lewis Mumford. This book is a brilliant analysis of the growth, virtues, and problems of cities beginning in the Middle Ages.

Least Favorite: The Hunt for Red October by Tom Clancy. I really don't need to know what college each character attended and every past job they held. This was potentially an interesting plot (the film is phenomenal) but his prose leaves much to be desired.

Monday, August 15, 2011

Rioting in England

Here's some articles written in the aftermath of the (mainly) London riots. I found their analysis very interesting.

This group of articles blames the mentality of the rioters on Britain's liberal governmental policies and on parental failure. Some people are finally seeing the light. Its amazing how it takes meltdown for most people to see what conservatives have seen all along. But please, don't feel like you have to listen to us, and, by all means, don't change anything.
These articles highlight the disturbing rise in racial tensions both in the U.K. and here in the U.S.
Finally, here is an article from someone who just completely misses the point. While it's not necessarily tied to the riots, it appeared at approximately the same time. While the rich may be selfish, that is not a crime. Nor does it involve a loss of other's life or property.

Wednesday, August 10, 2011

Flying Machines


Ray Bradbury’s short story, The Flying Machine, attacks the modern unqualified embrace of technological advancement. The story is set in A.D. 400 in China where the Emperor is sipping tea in the garden of his palace near the Great Wall of China. A servant rushes up to him proclaiming a miracle; the Emperor asks if he means the goodness of the air, the tea, the beauty of the sea, or the fact that the sun has risen. The servant replies that he has seen a man flying in dragon shaped machine. The Emperor fortifies himself with more tea and sets out to see the “miracle.” When he does, he looks out over the town and the Great Wall and asks the servant who else has seen the flying man; the servant says that he is the only one. The servant then calls the man down to meet the Emperor.

The Emperor demands to know what the man has done. The man replies that he has flown; the Emperor repeats his demand, saying, “You have told me nothing at all.” The Emperor then asks the man if anyone else knows of his creation; the man says no and that his machine is the only one in the world. The Emperor then calls for his guards and the executioner. The man, terrified, asks, “What’s this! What have I done.”

The Emperor proceeds to give the lesson of the story. He says, “Here is the man who has made a certain machine and yet asks us what he has created. He does not know himself. It is only necessary that he create, without knowing why he has done so, or what this thing will do.” The Emperor then shows a machine he made to the man; this machine is “a garden of metal and jewels” with singing birds, fountains, and miniature people. He has created beauty. The man proclaims that he too has created beauty. The Emperor replies that one must sometimes lose a little beauty to keep the beauty that one already has; the Emperor fears the man who will use the machine to attack the Great Wall and China itself. He has the man executed, the machine burnt, and their ashes buried

together. He warns his servant on pain of death never to speak of what he saw. The servant tells the Emperor that he is very merciful. The Emperor replies, “No, not merciful, no, only very much bewildered and afraid. What is the life of one man against those of a million others? I must take solace from that thought.”

In looking at the message of this story, one must be sure to separate the wheat from the chaff. Any sort of situational utilitarian ethic must be rejected; whether such a message was the author’s intent is beside the point. This story tells of the danger of pursuing technology without purpose and without regard for the danger it poses or the beauty that it might destroy. Tolkien writes about the same theme in “The Scouring of the Shire,” and Lewis brings it up in The Last Battle. Conservatives must always be on guard against such attacks.

Of course no true conservative would argue that scientists and inventors with their heads in the clouds should be executed. I do not believe this is Bradbury’s message either. The execution of the inventor serves as an illustration of the gravity of his mistakes. Bradbury’s message about looking into the hidden costs of technological advances is a message that modern society needs desperately. Combine this technological urge with modern scientific reductionism and our humanity itself is at stake as human cloning for medical research and organ harvesting becomes increasingly accepted. Communications technology pulls us ever more fully into an inauthentic electronic existence at the expense of community.

Unfortunately, the question of preventing the technological destruction of humanity seems to be a problem without a solution. Government prohibitions on research and invention are perhaps just as destructive and, as history has demonstrated, are incapable of prevention. Church bans work similarly well. Community’s bonds have shrunk to the negligible. What exists today is the democratic call for further security and further comfort; scientists and inventors are only too willing to comply without regard for what they may be destroying.

Monday, August 8, 2011

Book Review: The Guilt of Nations: Restitution and Negotiating Historical Injustices


Elazer Barkan’s book, The Guilt of Nations: Restitution and Negotiating Historical Injustices (2000), gives an excellent historical understanding of the modern development of the concept of international justice between aggressors and victims. This understanding of justice has made significant strides away from the view that might always makes right and that the aggressor owes nothing to his victims. Less hopeful, however, is the adjudication of ancient offenses and wrongs. Barkan’s approach to these longstanding grievances, while similar to the more successful approach taken toward modern grievances, lacks a full understanding of the vastly different circumstances surrounding them, both when they were committed and today.

Barkan spends the first half of his book discussing the various restitution efforts stemming from World War II. Much of the discussion naturally involves the victims of the Holocaust, primarily Jewish victims. Also discussed are the sex slaves abused by the Japanese army and the abuses and looting enacted upon Eastern Europe by the Soviets. What all these attempts at restitution have in common is the recent nature of the abuse. Since the abuses happened within the last seventy years and many of those directly affected are still alive, restitution is possible and, in many cases, is being effected.
The second half of the book involves a different category of abuses; Barkan labels them “Colonialism and Its Aftermath.” In this section he discusses the attempts at restitution made by modern day descendents of Native American, Native Hawaiians, Maoris, and African slaves. These cases are distinguished from the others by the fact that neither the aggressors nor those directly victimized are still living. In most cases they have been dead for a long time. Additional problems result from the nature of the demands.

While those demands resulting from World War II and Soviet occupation abuses are primarily financial or for the return of specific artifacts, demands made by these victim of colonization are much more complex. Some Native American tribes demand the “return” of the entire Black Hills area as a religious site to be protected from tourists and hikers; Aborigines in Australia make similar demands for their holy sites. Groups of these indigenous peoples have claimed that they and they alone are the owners of designs and styles of artworks, paintings, and fabrics and that no one but them ought to be allowed to use them. Claims are made by their descendents on billions of dollars they believe are owed them in restitution from the descendants of their oppressors. This is especially true in the case of the descendents of African slaves.

What Barkan and the makers of such claims ignore, however, is that the designation of victim and oppressor when separated by so much time from the actual events themselves becomes completely unclear. Why must the entire population of the United States be guilty for the immoral behavior of white slaveowners? Even if those who did not own slaves were somehow complicit in the slaveowners guilt, what of abolitionists, what of those who immigrated after the Civil War? There are no clear oppressors anymore; to force restitution from the guiltless it to become an oppressor oneself. The question of the designs and styles of works of art is equally problematic. One is forced to ask, why now? and why with only these styles and designs? Is Greece owed restitution because the U.S. Capitol building uses designs incorporated from ancient Grecian buildings? Such an argument is an absurdity. Barkan’s book contains an excellent description of developments in restitution; his analysis on the justice of the various claims, however, leaves much to be desired.